Eight short films with overlapping themes and characters based on the actual dreams of director Akira Kurosawa.
"From just a cinematographic point of view, Kurosawa's mastery of colour is unrivaled, and a sound reason to watch this film, yet not the only one by far. The true value of "Yume", in my opinion, is the use of the parabolas presented disguised as dreams to teach us a way of life. The absurdity of war. The beauty of nature. The need to preserve our environment. In summary: a praise to life. And yet, Kurosawa being old himself when he filmed his "Dreams", looks at death and presents it as the last station of a wonderful journey. Carpe diem, yes, but not to the point of being scared. Life will follow its course as does the river at the end of the movie, with or without us being here to enjoy it. Just be thankful for the small things in life; they are the most important. Enjoy them while you can and you will leave this existence in peace with yourself."
Review by Magicvoice:
Akira Kurosawa's Dreams is comprised of eight short films, each featuring a character named "I," who we are to assume is Kurosawa himself. The film begins with two dreams from Kurosawa's childhood and eventually move into adulthood. One tale, "Crows," expresses Kurosawa's love for the artist Vincent Van Gogh, and is the most questionable of the eight tales. An art student enters the paintings of Van Gogh and meets Van Gogh, played here by American director Martin Scorcese. It's interesting that Kurosawa cast Scorsese to play Van Gogh—perhaps he felt that only another auteur could fully grasp the creative compulsion of Van Gogh. That point is not lost on the viewer, but it still would have been preferable to cast a real actor in the part. Scorsese's New York accent just doesn't fit the film.
The best segment of Dreams is "The Tunnel," which is directed by an uncredited Ishiro Honda (Godzilla). It tells the tale of a military officer who is confronted by the spirits of his dead platoon. Heartbreakingly, the officer apologizes for his actions, which led to the death of his men. He takes responsiblity instead of simply blaming the stupidity of war—a universal theme that people today could perhaps learn from.
"Mt. Fuji in Red" and "The Weeping Demon" both deal with nuclear disaster and a post-apocalyptic world. They pretty much hit the viewer over the head with Kurosawa's (and Honda's) views on the destruction of nature and the stupidity of mankind. Since we currently live in an era where world leaders propose to cut down trees in order to avoid forest fires, some people may still need that point to be drilled into them. The last segment shows what would happen if we did things Kurosawa's way. The people in "Village of the Watermills" live at one with nature and are rewarded with health, happiness and long lives that are celebrated upon conclusion. It's the most beautiful dream of all, and a perfect ending to a great film.
Visually, Akira Kurosawa's Dreams is a masterpiece. The sets, composition and use of color are all breathtaking. The pace of some of the stories is a bit slow, but this is still a great and very underrated film. Dreams is Kurosawa's most personal work, and when it's over the viewer might feel like they've just met the man who delivered this work of art, much like "I" was somehow able to meet Van Gogh in one of his paintings. (Magicvoice 2003)
I originally made a compressed version of this. But after returning the film, I realized that I'd forgotten to include subtitles, making it that much more opaque to Gaijins like you. So I've just uploaded the entire DVD file for your watching enjoyment. I know, it's big, but you've got a month…
get it here or here.